Category: True Life Adventures
10 years of The Radio Adventures of Dr. Floyd
Ten years.
November, 7, 2014 marks the ten year anniversary of The Radio Adventures of Dr. Floyd as a podcast. True, the radio show started in April of 2004, streaming on Dementia Radio, an all comedy music internet radio station, but things exploded we put our first few episodes out on a podcast feed.
Podcasting was brand new. I don’t know where, but I read an article that mentioned it in September of 2004. I spent most of October researching exactly how to do it and then, on November 7, 2014, EPISODE #101 of The Radio Adventures of Dr. Floyd was pushed out into the podcast world.
In those days there were not that many podcasts and the joke among podcasters was, in order to tell someone about the podcast, you had to first explain what exactly podcasting was. In those early days, it seemed, there were a few types of Podcasts. There were the folks like Dawn & Drew who took the whole ‘no FCC rules thing’ and ran with it, producing shows that were blue, to put it lightly. On the other end of the spectrum were the God-casters, priests who would podcast their weekly sermons. And somewhere in the middle of all that was The Radio Adventures of Dr. Floyd. We were the first podcast that was geared towards kids and, because of that, our popularity really exploded.
I remember when we got our first email feedback. We were floored that people were actually listening to our show. Then we got an email saying that the writer’s kids loved the show. We immediately swore, right there, to take all double entendre out of future episodes (SEE: Wright Brothers’ Nuts) and make it as family friendly as possible.
From the very beginning, the show featured guest stars, mostly friends who were comedians. Our first big celebrity get though, was Leslie Carrara-Rudolph, puppeteer for Sesame Street. Then Barbara Holiday, my manager at the time, suggested she could get Arrested Development’s Jeffery Tambor. We jumped on the chance and he was more than happy to do it. Chris Hardwick was also in that episode and I remember him standing in my living room saying, “What’s a podcast?” Just look at him now.
From then on, we were extremely lucky in the stars we had on the show. Don Novello became a friend, as did Chuck McCann. Joel Hodgson and Frank Conniff, both of Mystery Science Theatre 3000 did voices for us and Frank was the guest star who returned the most times and played the most characters. The highlight was getting to work with two heroes, both legends in the voiceover world, June Foray and Stan Freberg. I will remember those sessions for a very long time.
Our show went from twelve listeners to over 85,000 a month at it’s peak. The podcast helped us meet people from all over the world, some of whom I am still in contact to this day. It opened the door for me doing the podcast for The Jim Henson Company, which opened up the door for me to become a puppeteer with the company.
Even though there hasn’t been a new show since 2008, outside of Dr. Steve’s Thanksgiving songs, the show still gets tons of downloads every week and every once in awhile, I get an email, much like that first one, that makes me smile because I know that Doug and I created something pretty special that touched a lot of people.
So, happy ten years Dr. Floyd. Here’s hoping the time a space cube keeps going for another ten!
Creative Mondays #043 – A bedside notebook.
This one is going to be one for the ‘duh’ column but it’s an important reminder for creative tyoes and our scattered right brians.
Keep a notebook and pen or pencil next to your bed so that when you have a inspirational thought (or dream) in the middle of the night, you can jot it down.
No matter how much you think to yourself that you’ll remember the idea in the morning, YOU WILL NOT. Okay, maybe you will every now and then, but do you really want to risk the possibility of losing a REALLY, REALLY good idea? No. THen keep the notebook by your bed.
Every year around the start of fall, stores like Rite-Aid, CVS or Walgreens sell those 70 page spiral notebooks for under a dollar. Usually something crazy like 60 cents or so. I usually pick up a few. Then, on my nightstand I put one of those notebooks, opened to a blank page with a pen resting right on top of it.
If inspiration strikes in the middle of the night, I reach for the notebook and pen without even turning on the light. Then, I slowly start writing down the idea on the page. I don’t worry about writing on the lines, I just try to write as deliberately neatly as possible in the dark so that in the morning I can read what I’ve written.
I write in big letters, turning the page if I get to the bottom. Again, the main goal is to get the idea down, not write a report you’re turning in for a grade. The reason for doing it in this manner is so I don’t have to turn on the light. Personally, if I turn on the light, I’ll be awake. This method really works for me.
In the morning I read through what I wrote and then transfer it to my Creative Idea Journal for further action. Once it is safely transferred, I will tear out the pages from the nighttime notebook and then place it back on my nightstand, ready for the next late night inspiration.
This is my method but you may have some other way of doing it. I’d thought about jotting the things down on my iPhone, but if you think light wakes me up, the iPhone would have me up answering emails.
This bedside notebook does the trick.
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Do you have a method for recording those late night ideas or dreams? If so, let me know what it is in the comments below. Have a creative week!
Creative Mondays #042 – Play with your eyes open.
This week’s post is going to be geared a little more towards artists who perform live. I think though it is a good thought to keep in mind for everyone though. The thought is: Play With Your Eyes open. First, a little backstory, and this backstory is going to sound horribly pretentious and name-droppy but it’s where I got the idea from.
In 2007, through a strange series of events, I lucked into a spot opening for “Weird Al” Yankovic on his Straight Outta Lynwood tour. I found out about the gig the DAY before the gig was to happen, so I was instantly whipped up in a state of nervous energy that could have been harnessed to power the state of Rhode Island. The main thing that had me whipped up was that this would be, without a doubt, the largest crowd I would have performed in front of to date. About 5,000 people. That’s a lot.
In my flurry of getting ready to drive to Northern California, where the gig was at, I spent some time promoting the gig on social media, which back then, was MySpace. I sent out an MySpace Message blast to all my friend who lived in the radius near the gig, I even sent one to Tom. But while looking through my list of friends I came across the page for Steven Page, then lead singer of Barenaked Ladies.
I know he didn’t live anywhere in the vicinity of the show but a thought flashed in my mind. If anyone could give me a little advice about performing in front of that many people, he could, so I sent him a MySpace message. I never really expected a response back, I mean, he’s a busy rock ’n’ roll star but later that day I got a simple reply back that said, and I’m paraphrasing here:
Congratulations. Just take a deep breath before you start and play with your eyes open. Enjoy it. And say hi to Al for me.
At the time I didn’t quite get what he meant by ‘play with your eyes open’ but I thought it was incredibly cool that he wrote back.
Flash forward to the stage at the Konokti Harbor Amphitheater in Northern California. I had just finished my first song, Living @ Home, and the audience loved it. And when I say finished I mean, raced through my first song at about double the tempo I normally play it. My hands were shaking, my pulse racing and my heart felt like it was going to explode out of my chest. Then, like Obi-Wan Kenobi, Steven’s words flashed through my mind. “…Take a deep breath. Play with your eyes open. Enjoy it.”
So, I took a deep breath and it seemed as if time slowed down. I was in control. I could do this without panic. Without rushing. And most importantly, my eyes were open and I was actually aware of what was going on. I could actually ENJOY the amazing experience I was in the middle of. The rest of the set was better than the first song and ending with ‘Debbie’ brought the house down.
After all this time, I still remember Steve’s words, especially if I’m in some big, high pressure performing situation. I remember to take a deep breath and just enjoy it. I’m getting to do what I love, in front of people. It doesn’t get much better than that. This is especially true when I get to perform with The Jim Henson Company’s Puppet Up!.
In late 2013, I performed with them in Toronto and there was one moment where I had a puppet on my hand in front of a packed house of people. The scene I was in was getting big laughs and, because I was playing with my eyes open, I just got a big, uncontrollable, smile on my face. Not because I was breaking because of the scene. It was because my ‘eyes were open’ and I was instantly aware of how much fun it is to get to do that. It’s a moment I have not forgotten.
So if you are about to step on stage and perform, no matter how big the crowd, stop right before you do. Take a deep breath and when you step out there, play with your eyes open. Enjoy it. Don’t get so focused on the set, your playing, or acting or your material that you completely forget to experience the fun you’re having.
Even though is more applies to artists who perform, I think it could be applicable to other areas of artistic disciplines as well. If you are painter, right before your gallery showing opens (no matter how big or small) take a deep breath. Enjoy it. If you’re a writer and it is the night before your book goes on sale, take a deep breath. Enjoy it.
Most of us create art because we love to do so. No point in doing it if you can’t take a deep breath and play with your eyes open.
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How do you deal with high pressure artistic situations? Do you have any techniques that get your through? Let me know in the comments below.
Creative Mondays #041 – A Creative Nest
When reading about artists and creativity, I find you often hear mention of famous writers hanging out together. J.R.R. Tolkien and C.S. Lewis, Truman Capote and Harper Lee, Ralph Waldo Emerson and Louisa May Alcott, just to name a few. In Hollywood, we hear about actors and directors who enjoy handing out with each other. Just look at the fun J.J. Abrams and Zack Snyder are having poking fun at each other while directing the new Star Wars and Superman/Batman films. If you follow Weird Al Yankovic on Twitter you will see pictures of him hanging out with Seth Green or Thomas Lennon. For a few years now I’ve listened to the Nerd Poker Podcast which features a bunch of comedians hanging out playing Dungeons & Dragons, something they had done for over a decade before starting the podcast. These are just a few examples, I’m sure a much longer list can be made.
So, why is it that famous creative types seem to gravitate to each other? Is it because they are part of the famous elite and only hang out with other famous people? While that could be the case in a few cases, I think it is more likely because creative people gravitate towards each other and they especially gravitate to other creative people they find inspiring. I certainly know that this is true with me.
When we were in the heyday of Dr. Floyd, it was creatively inspiring to hang out with the shows co-creator, Doug. A simple meal or hour spent playing Nintendo 64 or other some such hangout would undoubtedly inspire future episodes of the show or funny lines to throw in here and there. Currently hanging out with puppeteer and puppet builder Russ Walko will inspire funny ideas for projects. I also find that hanging out with Patrick Bristow, Chris Sheets, Alison Mork, Brian Clark, Vanessa Whitney, Kevin Bertnson or any of the other fantastically funny founding members of Improvitorium with inspire creativity and fun.
I think that, as an artist, it is important to create for yourself a nest of creatives you can hang out with and who will inspire your own creativity. Creative friends you can laugh with, bounce ideas off of and receive input from with no expectation of credit or ownership. Build this nest with care so that you have people you truly be your creative self with when you are with them. These are people who aren’t competing with you, they are people who are there to support you and you, in turn, support them.
And because of the marvelous age we live in, they don’t necessarily have to be people who live close to you. I have several people who I would consider are in my ‘creative nest’ that live on the East Coast and we use all the wonders of technology to keep in touch. Author Mur Lafferty lives in North Carolina and we communicate via text and Twitter often. Singer/Songwriter Carla Ulbrich lives in New Jersey and we often chat via email or text. Musician John B. DeHaas lives in Florida and we talk almost daily via the Voxer app. With technologies like these, not to mention Skype or Google Hangouts, it is quite possible to have a creative nest that spans the entire globe!
Be thankful for the support and inspiration your creative nest gives you. And if you don’t have one, begin building it today! It will only make you a better artist.
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Do you have a creative nest? If so how long have you had one and how did it help you? Let me know in the comments below! Have a great week!