Tag: art
Creative Mondays #027 – Nervous? Just do it.
Recently I received a scheduling for a puppet audition through The Jim Henson Company. When I was first called about it, I was initially pretty confident I could go in there and nail it. Then, I received the script and all the information about the audition and I was even MORE confident I could go in their an nail it. The character was something I could hit out of the part really easily, the script was funny (something I usually find is quite rare in these situations) and it would just be a tremendously fun project to work on.
Then, just a few days before the audition, I found out something that rattled my confidence completely. Just completely dashed that sense of ‘I got this” completely. The good old Negative Brain took full control. In one instant, I went from confident to a complete mess. “I got this” became, “Not in a million years.” In fact, my negative brain, as if does, started telling me, “Just don’t even do it. That way you won’t be disappointed when you don’t get it.”
Now, my negative brain is not strong enough for me to make majorly stupid mistakes. I completely understand the consequences of not showing up to an audition that The Jim Henson Company has scheduled you for. So, there was no way I was going to NOT go to the audition.
I began thinking about being nervous about something big in your creative career and how it can completely play with your mind. In situations like that you have two choices. Don’t do it, as your negative brain would have you and play it safe. Or, as the old Nike ad says, “just do it.” And really, there is no choice. Just do it.
Nerves are nothing. They are just a holdover from that primitive brain we’ve talked about before on here. They are there to keep you safe. But when you think about things logically you’ll see that nerves can sometimes misguide you.
Being nervous while swimming in shark infested waters is probably a good idea. You could die.
Being nervous when going into an audition, or unveiling your recent painting, or stepping out on stage to play a new song, recite a new poem, read a new story, etc., those things re not likely to kill you. You’ll be just fine. Sure, you may blow the audition, receive criticism, get booed, but is it going to kill you? Probably not. And in the unlikely event that those things happen (how many people really get booed anymore?) they will all be incredible learning experiences of what to do or not do the next time you are in one of those situations.
So, when it came to this audition of mine, there really was only one choice, do it. I studied the script harder than anything I had recently. I worked on my puppetry even more to be spot on when I went in. Part of the audition would be riffing/improv so I thought of things I may say in different situations that may pop up. I made myself completely ready for this audition.
Was I still nervous? Yes.
Was I going to let that nervousness stop me? No way.
Will I get the part? Who knows? But I’m more likely to get it now that I didn’t chicken out and not go to the audition.
If you are nervous about something, just do it.
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How do you deal with being nervous about big events in your creative life? Has the nervousness ever won out? Or did you battle is successfully?
Creative Mondays #024 – Don’t be precious (a lesson from Gonzo The Great)
This is one of those rules on creativity that people talk about a lot. When you are creating something, especially something you are creating with other people, you cannot be precious with your ideas. Some of them will get used, some of them will not get used. You must know this going in otherwise you’ll be setting yourself up for misery.
This rule struck me one time when I watched it happen right in front of me. In 2003, I was lucky enough to be invited to hang out on the set of a Muppet commercial shoot. It was the Dominoes Pizza Super Bowl ads that they were in. For two days I just sat, like a fly on the wall, and watched as the people behind the Muppets worked their magic. As a side note here, my favorite Muppet is Gonzo, so I kept a close eye on what Dave Goelz, Gonzo’s performer, was doing.
During one break I noticed Dave was over near the Puppet Wrangler’s table working on something. He had some items from the Craft Service table, a long puppet rod and some tools and was busily building something. Someone asked what it was and he said he felt lil Gonzo should be doing something in the background of the next shot they were filming, so he was building a stack of food for Gonzo to balance on his finger. The rig would have made it appear like Gonzo was balancing a peanut on his fingertip, then balanced on that, a soda can, and then a bag of chips and so on. It was really a great looking rig and it was built out of actual stuff! He drilled holes in a REAL peanut in order to slide the rod through.
I’d say he spent about a good thirty minutes of his lunch break on this neat little addition to the commercial. When he was done he tried it out and the effect was hilarious, it looked like Gonzo was balancing all this stuff on his finger. Everybody loved it. They tested it out on camera and it looked great. But then, somebody decided that it just wasn’t right for the scene. The Muppets mantra has always been, “Pull Focus” but this gag was pulling a little too much focus. Ultimately, the decision was made not to use it. I guess in a commercial you don’t want to pull too much focus away from the product you’re actually selling.
So, after working so hard on this little piece of puppetry fun, what did Dave Goelz do? He just tossed it aside with a smile and got ready for the next shot. His attitude was one of, “Well, that would have been fun but, oh well, no big deal.” Now, he could have been upset or fought for it or thrown a big-time hollywood star tantrum, but he didn’t. He moved on to the next order of business with a smile.
Seeing this happen really struck me. Something you work hard on, no matter how good of an idea it is, may not make the final project. This happens all the time when creating things with others and it can happen in working on your own stuff as well. A particular exchange of dialogue in your writing may be the best you’ve ever written, but if if doesn’t work with the story, you have to toss it. You can be upset for a moment, but then you have to move on with your creating.
This is a tough one. Usually us artists go from thinking everything we do is crap to everything we do is good. Sometimes, even when you know you have something good, you have to let it go if it’s not working.
Take a lesson from Gonzo: you can’t be precious with your work.
Creative Mondays #023 – Doodle
Doodle. Sketch. Draw. Even if you aren’t someone who can draw. For the creative person there is benefit to spending some time letting your pen or pencil roam freely around a piece of paper. Even if you practice a form of creative art that is not a visual medium such as writing.
First of all, just sitting and doodling can get your mind to wander for a bit and open your brain up to let some fresh ideas flow in. Doing mindless tasks is great for sparking creative ideas and doodling is a great mindless activity.
Secondly, it’s good to get into the practice of doodling or sketch for you art. There will be times in your career when you may have to sketch something out to get your creative vision across to someone else. For example, I’m currently working on a puppet project and while the bulk of my work on this project is me writing out scripts, I had to draw a few sketches of my vision of the puppets to give to the puppet builder Russ Walko. Now, I am no artist by any stretch of the imagination, but I was able to doodle my thoughts well enough that I could get the point across to Russ. This is a good skill for all artists.
Finally, doodling is just plain fun. I don’t have any statistics on this, but I’m sure, for many people, they doodled a lot more as kids than they do now in their adult lives. So a return to doodling, a return to doing something a little more kid-like, a little more fun, jump starts our creative minds and that’s never a bad thing.
No need to worry that your doodles aren’t good enough to hang in an art museum or graces the pages of the Sunday comics section of the newspaper. Just doodle. Experiment. You may stumble on a new creative act that will inspire your other work. So spend a few minutes this week just doodling.
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Do you doodle? If so, has it helped your creative work in any way? Let us know in the comments below! Have a creative week!
Creative Mondays 022 – Fake it until you make it.
More and more, recently, I’ve been hearing the phrase, ‘Fake it till you make it.’ It’s popped up in discussions and on the radio in news stories and there’s a very famous TED Talk by Amy Cuddy that explores the concept of ‘faking it’ until you ‘make it’ in terms of body language and success. (It’s a good watch, and I’ve linked to it at the bottom.) I have heard it so much, I thought it might make a good topic for a Creative Mondays post.
I agree that faking it until you make it is a good practice, with a few exceptions. You never want to flat out lie to people, especially people who may give you a job. This can come back to bite you in the hinder so bad, it’ll make your head spin. But, I do feel it’s okay to, shall we say, stretch the truth a bit, if you are confident that you can handle the end result and back up your promises.
I have a prime example of what I’m talking about in something that happened my freshmen year of college. Now, while freshmen were told that they should audition for everything that came along, they were told they shouldn’t expect to get in plays their freshmen year. Well, in my first semester of my freshmen year, I landed the bit part of Jaques DuBois in Shakespeare’s As You Like It. If you have read the play you know that the character comes in at the very last minute of the play and, sort of, ties up all the loose ends. It was a tiny part, but I felt totally badass because I was a freshmen who had landed a role in a University Players production. When the second semester rolled around, I was feeling cocky and I decided that I was going to get a bigger part in a play.
Auditions for YOU CAN’T TAKE IT WITH YOU came up and after reading the play I started to think of who I could play in the play. I decided I was going to go out for the role of Ed. If you are unfamiliar with the play, it is about an eccentric family full of ‘nutballs’ who all have their weird hobbies. One of Ed’s main hobbies is playing the xylophone. On the day of the audition, as I was filling out the audition sheet, there was the question: Can you play the xylophone?. Now, I did not know how to play the xylophone. No idea whatsoever. But I was a drummer all four years of high school and I had been around xylophones enough to know a little bit about them. So I just wrote down yes on the audition sheet.
Now, let me say, this could have backfired HUGE on me. I could have walked into the room and there could have been a xylophone sitting in there and they could have asked me to play.
Luckily, that did not happen. I went in, did my monologue and spoke to the director for a bit and just as I was leaving he asked, “You can play the xylophone?” I said, confidently, “Yes.” He nodded, said okay, and thanked me for coming in. A few days later when the cast list was posted, I had landed the role of Ed. Of course, this meant that I now had to learn how to play xylophone, which I was able to do, at least well enough for the play and no one was ever the wiser.
If you can confidently ‘fake it, until you make it’ I see no problem in doing it. I certainly wouldn’t tell someone I could fly a plane if I couldn’t, but I was confident I could pull of playing xylophone enough for this play, so I saw no problem in stretching the truth a bit. ‘Faking’ it, if you will. It got me the part.
So, it is quite possible to ‘fake it until you make it’ in our creative lives. Just make sure you can confidently learn to play the xylophone if you say you can.
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Has there ever been a moment in your creative career where you had to ‘fake it?” Let us know in the comments below! Have a great week!